1 00:00:01,376 --> 00:00:03,002 IT'S NOT WHAT IT LOOKS LIKE, MAMA. 2 00:00:03,002 --> 00:00:05,631 ACTUALLY, MANDY, IT'S EXACTLY WHAT IT LOOKS LIKE. 3 00:00:05,631 --> 00:00:07,007 WHAT'S GONNA HAPPEN TO US? 4 00:00:07,007 --> 00:00:09,343 IF YOU'RE SMART, YOU'LL SAY NOTHING. 5 00:00:09,343 --> 00:00:10,511 PLEASE DON'T GO. 6 00:00:10,511 --> 00:00:12,429 THERE HAS BEEN NO ONE BUT YOU. 7 00:00:12,429 --> 00:00:15,098 Hannah: IF JOE WERE ALIVE, HE WOULD HAVE CONTACTED YOU. 8 00:00:15,098 --> 00:00:16,684 MAYBE THERE WAS A REASON THAT HE COULDN'T. 9 00:00:16,684 --> 00:00:18,936 THE FBI RAIDED A FOLLOWER SAFE HOUSE, 10 00:00:18,936 --> 00:00:22,564 KILLED 5 PEOPLE, ARRESTED A SIXTH. 11 00:00:22,564 --> 00:00:24,441 THE ONES FROM THE SUBWAY ARE STILL OUT THERE. 12 00:00:24,441 --> 00:00:25,985 Man on TV: KILLER TWINS. THAT'S THE BREAKING NEWS TODAY... 13 00:00:25,985 --> 00:00:27,569 YOU GUYS HAVE BEEN MADE. 14 00:00:27,569 --> 00:00:28,821 IT WAS INEVITABLE. 15 00:00:28,821 --> 00:00:30,322 ...ELUDED AUTHORITIES AT A CHARITY GALA, 16 00:00:30,322 --> 00:00:32,574 WHERE THEY BRUTALLY STABBED A MALE GUEST. 17 00:00:32,574 --> 00:00:33,993 Carlos: IT'S EMMA. SHE KEEPS CALLING. 18 00:00:33,993 --> 00:00:35,202 HELLO? 19 00:00:35,202 --> 00:00:37,329 MEET ME IN PERSON. JUST COME ALONE. 20 00:00:37,329 --> 00:00:38,914 WHOA, WHOA. STOP. WHAT ARE YOU DOING? 21 00:00:38,914 --> 00:00:39,957 IS JOE ALIVE? 22 00:00:39,957 --> 00:00:41,124 YES. 23 00:00:41,124 --> 00:00:42,334 SO YOU PLANNED THESE MURDERS TO 24 00:00:42,334 --> 00:00:43,794 LURE JOE OUT OF HIDING. 25 00:00:43,794 --> 00:00:45,086 Judy: MANDY, STAB HIM! 26 00:00:45,086 --> 00:00:47,255 STAB HIM, HONEY. DO IT! 27 00:00:47,255 --> 00:00:50,718 I'M SORRY, MAMA, BUT I CAN'T LET JOE GO. 28 00:00:50,718 --> 00:00:52,093 Ryan: I HAVE TO SAY GOOD-BYE. 29 00:00:52,093 --> 00:00:53,846 -WHY? -FOR YOUR OWN SAFETY. 30 00:00:53,846 --> 00:00:55,180 Ryan: WHAT TRAIN IS THAT? Mike: EXPRESS TRAIN. 31 00:00:55,180 --> 00:00:56,807 WHY DIDN'T SHE GET ON IT? 32 00:00:56,807 --> 00:00:58,350 LILY'S LYING. SHE'S IN ON IT. 33 00:00:58,350 --> 00:01:00,811 Mike on radio: 10-0. LILY MIGHT BE COMPROMISED. 34 00:01:00,811 --> 00:01:02,730 Ryan: WHY GO THROUGH SO MUCH TROUBLE TO GET CLOSE TO ME? 35 00:01:02,730 --> 00:01:04,481 Lily: YOU'RE IMPORTANT TO JOE, SO YOU'RE IMPORTANT TO ME. 36 00:01:04,481 --> 00:01:06,942 I SEE WHY JOE'S SO DRAWN TO YOU. GOOD-BYE, RYAN. 37 00:01:06,942 --> 00:01:07,985 Luke: WHAT HAPPENED? 38 00:01:07,985 --> 00:01:08,944 JUST DRIVE, DEAR. 39 00:01:08,944 --> 00:01:10,445 YES, MOTHER. OF COURSE. 40 00:01:13,114 --> 00:01:14,992 Mandy, voice-over: I BELIEVE IN YOU, JOE. 41 00:01:17,661 --> 00:01:19,287 Girl: I WANT CHOCOLATE MILK! 42 00:01:19,287 --> 00:01:21,289 THAT'S HOW YOU WANT TO SPEND YOUR SUGAR ALLOWANCE? 43 00:01:21,289 --> 00:01:22,499 CHOCOLATE MILK! 44 00:01:22,499 --> 00:01:26,085 OK. IT'S YOUR CHOICE. 45 00:01:26,085 --> 00:01:27,755 SLOW DOWN THERE, MONKEY. 46 00:01:35,054 --> 00:01:36,095 GOOD MORNING! 47 00:01:36,095 --> 00:01:39,224 Woman: HI, JANA! 48 00:01:39,224 --> 00:01:40,893 SHE LOOKS NICE. 49 00:01:40,893 --> 00:01:42,143 YES. 50 00:01:44,479 --> 00:01:46,273 YES, SHE DOES. 51 00:01:48,692 --> 00:01:52,153 HEY! WHERE DID YOU GET THAT SUCKER? 52 00:01:52,153 --> 00:01:53,238 THE MAN. 53 00:01:53,238 --> 00:01:54,448 WHO? 54 00:01:54,448 --> 00:01:57,701 DID YOU GO IN THE CABINET? 55 00:01:57,701 --> 00:02:00,955 WHERE'S BILLY? 56 00:02:00,955 --> 00:02:01,997 ANDREA, DID YOU TAKE HIM OUT? 57 00:02:01,997 --> 00:02:03,248 WHERE'S YOUR BROTHER? 58 00:02:03,248 --> 00:02:04,625 THE MAN DID. 59 00:02:07,753 --> 00:02:09,128 HONEY, WHAT MAN? 60 00:02:09,128 --> 00:02:12,132 THE MAN WHO TALKS FUNNY. 61 00:02:17,471 --> 00:02:19,138 UH, ANDREA HONEY, LOOK AT ME. 62 00:02:19,138 --> 00:02:20,808 WHERE'S BILLY? 63 00:02:20,808 --> 00:02:22,309 ANDREA! 64 00:02:24,269 --> 00:02:26,563 HONEY? BILLY? 65 00:02:26,563 --> 00:02:28,774 BILLY? BILLY? 66 00:02:30,484 --> 00:02:33,988 BILLY? BILLY, HONEY? 67 00:02:33,988 --> 00:02:35,196 BILL-- 68 00:02:48,002 --> 00:02:51,130 PLEASE DON'T HURT MY SON! 69 00:02:54,424 --> 00:02:58,428 CHILDREN ARE SUCH PRECIOUS GIFTS, 70 00:02:58,428 --> 00:03:00,139 AREN'T THEY, JANA? 71 00:03:11,650 --> 00:03:15,445 JOE, YOU'RE ALIVE! 72 00:03:15,445 --> 00:03:18,991 JOE! OHH! 73 00:03:18,991 --> 00:03:21,200 WHERE HAVE YOU BEEN? 74 00:03:26,707 --> 00:03:28,167 LILY GRAY IS THE PRIMARY SUSPECT 75 00:03:28,167 --> 00:03:29,835 IN THE MURDER OF TWO FEDERAL AGENTS 76 00:03:29,835 --> 00:03:31,586 AT HER SoHo ART GALLERY. 77 00:03:31,586 --> 00:03:33,547 WE ALSO ARE NOW VIEWING HER AS A PERSON OF INTEREST 78 00:03:33,547 --> 00:03:35,090 IN THE RECENT SUBWAY SLAYINGS. 79 00:03:35,090 --> 00:03:37,718 TELL US ABOUT THE RAID IN BURLINGTON. 80 00:03:37,718 --> 00:03:39,219 IS SHE LINKED TO THAT GROUP AT ALL? 81 00:03:39,219 --> 00:03:41,221 WE HAVE YET TO CONFIRM THAT CONNECTION. 82 00:03:41,221 --> 00:03:44,391 THE RAID RESULTED IN 5 CASUALTIES AND ONE ARREST... 83 00:03:44,391 --> 00:03:45,684 HAVE YOU EATEN? 84 00:03:45,684 --> 00:03:47,268 YOU NEED TO EAT. 85 00:03:47,268 --> 00:03:48,729 NO. I'M GOOD. 86 00:03:48,729 --> 00:03:50,022 Mendez: ...ASKING THE PUBLIC AT THIS TIME 87 00:03:50,022 --> 00:03:51,481 IF YOU KNOW ANY-- 88 00:03:52,607 --> 00:03:53,942 WHY WAS SHE TARGETING YOU? 89 00:03:53,942 --> 00:03:55,318 I'M THE GUY THAT BROUGHT JOE DOWN. 90 00:03:55,318 --> 00:03:56,695 BUT IF SHE'S A PART OF IT, 91 00:03:56,695 --> 00:03:58,197 WHY WOULD SHE PUT HERSELF IN THE SUBWAY? 92 00:03:58,197 --> 00:04:00,323 SHE MADE HERSELF THE VICTIM TO GET CLOSE TO ME. 93 00:04:00,323 --> 00:04:02,076 THOSE WERE SUPERFICIAL WOUNDS, MAX. 94 00:04:02,076 --> 00:04:04,369 SHE KNOWS MY BACKGROUND, SHE KNOWS MY HISTORY WITH THE CASE, 95 00:04:04,369 --> 00:04:06,496 HOW I GET TOO ATTACHED TO THE VICTIMS. 96 00:04:06,496 --> 00:04:08,248 SARAH FULLER, CLAIRE MATTHEWS. 97 00:04:08,248 --> 00:04:09,332 SHE WAS PLAYING A PART. 98 00:04:09,332 --> 00:04:10,458 THAT'S SO SICK. 99 00:04:10,458 --> 00:04:11,710 THIS WOMAN HAS NO VIOLENT HISTORY, 100 00:04:11,710 --> 00:04:13,712 NO RECORD, NOT EVEN A TRAFFIC TICKET. 101 00:04:13,712 --> 00:04:15,380 SHE'S AN ART DEALER. 102 00:04:15,380 --> 00:04:17,132 WHY WOULD SHE DO THIS? 103 00:04:19,927 --> 00:04:21,636 TO LURE HIM OUT. 104 00:04:21,636 --> 00:04:24,223 WHO? LURING WHO OUT? 105 00:04:27,976 --> 00:04:32,147 JOE CARROLL BECAUSE HE'S STILL ALIVE. 106 00:04:38,028 --> 00:04:39,446 WELL, IF THAT'S WHAT'S HAPPENING, 107 00:04:39,446 --> 00:04:41,115 THEN YOU NEED TO PROVE IT. 108 00:04:41,115 --> 00:04:43,825 HOW CAN I HELP? 109 00:04:43,825 --> 00:04:46,453 OH, NO. UH-UH. FBI IS ALL OVER ME. 110 00:04:46,453 --> 00:04:48,247 I'M BEING TRAILED. THEY KNOW YOU'VE BEEN HELPING ME, 111 00:04:48,247 --> 00:04:49,581 SO THEY'RE WATCHING YOU, TOO-- 112 00:04:49,581 --> 00:04:51,166 OUR CELL PHONES, OUR ONLINE ACTIVITY. 113 00:04:51,166 --> 00:04:53,043 RYAN, I WORK AT THE NYPD INTEL DIVISION, 114 00:04:53,043 --> 00:04:55,378 I TRAINED WITH THE BEST CIA TECHS AT THE ACADEMY. 115 00:04:55,378 --> 00:04:57,005 DO YOU HONESTLY THINK THAT THEY CAN TRACE ANYTHING 116 00:04:57,005 --> 00:04:58,048 I DO ONLINE? 117 00:04:58,048 --> 00:04:59,674 YEAH, I DO. 118 00:04:59,674 --> 00:05:01,176 WELL, MAYBE THEY CAN, 119 00:05:01,176 --> 00:05:02,552 BUT IT WILL TAKE THEM 6 MONTHS. 120 00:05:02,552 --> 00:05:04,012 I KNOW HOW TO BURY IT, 121 00:05:04,012 --> 00:05:05,346 AND PICK UP SOME DISPOSABLE PHONES-- 122 00:05:05,346 --> 00:05:06,765 YOU DON'T EVEN BELIEVE JOE IS ALIVE. 123 00:05:06,765 --> 00:05:08,892 I'M SKEPTICAL. THERE'S A DIFFERENCE. 124 00:05:08,892 --> 00:05:10,936 I CAN'T LET YOU LOSE YOUR JOB OVER ME. 125 00:05:10,936 --> 00:05:12,062 I'M NOT GONNA LOSE MY JOB, 126 00:05:12,062 --> 00:05:13,563 AND SO WHAT IF I DID? 127 00:05:13,563 --> 00:05:14,898 YOU, AUNT JENNY IN BOCA, AND ME. 128 00:05:14,898 --> 00:05:16,316 THAT'S THE HARDY CLAN. 129 00:05:16,316 --> 00:05:17,609 THAT'S ALL THERE IS. 130 00:05:17,609 --> 00:05:19,278 THERE'S NO ONE ELSE. 131 00:05:28,996 --> 00:05:33,541 YOU KNOW, UM, UNTIL LAST YEAR, 132 00:05:33,541 --> 00:05:35,252 WE HADN'T SAID 5 WORDS TO EACH OTHER 133 00:05:35,252 --> 00:05:38,505 SINCE MY DAD DIED, 134 00:05:38,505 --> 00:05:42,717 AND I FEEL LIKE YOU AND ME, 135 00:05:42,717 --> 00:05:47,181 DAD WOULD HAVE LIKED THIS VERSION OF US. 136 00:05:47,181 --> 00:05:51,018 SO YOU DON'T GET TO DECIDE WHAT I DO. 137 00:05:53,561 --> 00:05:56,315 IF SOMETHING HAPPENED TO YOU, 138 00:05:56,315 --> 00:05:58,900 THAT WOULD END ME. 139 00:05:58,900 --> 00:06:01,236 NOW YOU KNOW HOW I FEEL. 140 00:06:03,446 --> 00:06:05,573 Woman: COME ON, HANNAH. WHAT ABOUT EMMA HILL? 141 00:06:05,573 --> 00:06:08,076 WHAT CAN YOU TELL ME ABOUT EMMA HILL? 142 00:06:08,076 --> 00:06:09,911 DO YOU KNOW LILY GRAY? 143 00:06:09,911 --> 00:06:11,913 TELL ME WHAT YOU KNOW ABOUT LILY GRAY. 144 00:06:11,913 --> 00:06:14,833 IS EMMA HILL WITH LILY GRAY? 145 00:06:14,833 --> 00:06:16,043 ARE THEY TOGETHER? 146 00:06:16,043 --> 00:06:17,585 7 HOURS. THAT'S THE BEST IT GOT. 147 00:06:17,585 --> 00:06:19,254 SHE'LL BREAK EVENTUALLY. 148 00:06:19,254 --> 00:06:20,922 ALL RIGHT. WHAT ABOUT LILY GRAY? 149 00:06:20,922 --> 00:06:22,299 WELL, WE'VE ONLY HAD A FEW HOURS, 150 00:06:22,299 --> 00:06:23,675 BUT HERE'S WHAT WE KNOW. 151 00:06:23,675 --> 00:06:24,801 LILY GRAY WAS BORN IN DENMARK. 152 00:06:24,801 --> 00:06:25,969 SHE WAS ORPHANED AT A YOUNG AGE. 153 00:06:25,969 --> 00:06:27,679 SHE WAS TAKEN IN BY MARTIN JANSEN, 154 00:06:27,679 --> 00:06:29,806 A WEALTHY BUSINESSMAN WHO DIED WHEN LILY WAS IN COLLEGE. 155 00:06:29,806 --> 00:06:31,432 NOW SHE'S THE SOLE BENEFICIARY. 156 00:06:31,432 --> 00:06:33,935 SHE INHERITED ALL BUSINESSES, PROPERTIES, HOLDINGS, 157 00:06:33,935 --> 00:06:34,895 ALL ON THE UP AND UP. 158 00:06:34,895 --> 00:06:36,230 THIS WOMAN IS A MILLIONAIRE? 159 00:06:36,230 --> 00:06:37,981 BILLIONAIRE. ESTIMATED NET WORTH 1.4. 160 00:06:37,981 --> 00:06:39,691 HOPKINS, WHAT ELSE YOU GOT? 161 00:06:39,691 --> 00:06:41,735 HER ASSETS ARE CONTROLLED BY BANKS IN BELIZE AND ANGUILLA. 162 00:06:41,735 --> 00:06:43,570 YOU NOW HOW HELPFUL THEIR PRIVACY LAWS ARE. 163 00:06:43,570 --> 00:06:45,530 NOW MONEY IS NOT THE MOST INTERESTING THING 164 00:06:45,530 --> 00:06:46,865 ABOUT THIS WOMAN. 165 00:06:46,865 --> 00:06:48,200 HILDA BARKOV, A RUSSIAN HOUSEKEEPER 166 00:06:48,200 --> 00:06:49,492 WHO MAINTAINED HER FATHER'S ESTATES, 167 00:06:49,492 --> 00:06:50,744 SHE DIED GIVING BIRTH TO TWIN BOYS. 168 00:06:50,744 --> 00:06:52,453 LILY'S GRAY'S THE ADOPTIVE MOTHER? 169 00:06:52,453 --> 00:06:54,039 Lawrence: THERE'S NO RECORD OF ADOPTION. 170 00:06:54,039 --> 00:06:55,916 THERE'S NO RECORD OF THE BOYS AFTER THEIR BIRTH. 171 00:06:55,916 --> 00:06:57,416 WELL, HOE DOES ONE RAISE TWIN BOYS 172 00:06:57,416 --> 00:06:59,253 AND NOBODY KNOWS ABOUT IT? 173 00:06:59,253 --> 00:07:01,088 DID YOU GUYS INTERVIEW EVERYONE IN HER LIFE? 174 00:07:01,088 --> 00:07:03,757 YES. THOSE CLOSEST INCLUDE HER GALLERY ASSISTANT KIMMY LEE. 175 00:07:03,757 --> 00:07:05,800 SURPRISINGLY STUPID. SHE KNOWS A GREAT DEAL OF NOTHING. 176 00:07:05,800 --> 00:07:07,344 AND HER BUSINESS PARTNER DAVID ROLAND, 177 00:07:07,344 --> 00:07:09,596 WHO WAS RELEASED FROM THE HOSPITAL THIS MORNING. 178 00:07:09,596 --> 00:07:11,139 ALL RIGHT. WELL, THE TWINS ATTACKED HIM AT THE GALLERY, 179 00:07:11,139 --> 00:07:13,016 BUT THAT DOES NOT RULE OUT HIS INVOLVEMENT. 180 00:07:13,016 --> 00:07:15,018 HE LAWYERED UP. DOESN'T WANT TO COME IN VOLUNTARILY. 181 00:07:15,018 --> 00:07:16,477 COURT ORDER'S IN THE WORKS. 182 00:07:27,822 --> 00:07:29,866 Lily: IT'S A LATE SEASON. 183 00:07:29,866 --> 00:07:32,286 EVERYTHING'S STILL SO GREEN. 184 00:07:34,121 --> 00:07:37,207 I MISSED THIS PLACE. 185 00:07:37,207 --> 00:07:39,084 HOW LONG DO WE HAVE TO STAY HERE? 186 00:07:39,084 --> 00:07:40,501 DON'T BE A DOWNER, DEAR. 187 00:07:40,501 --> 00:07:42,337 I'M NOT A DOWNER. I'M BEING REALISTIC. 188 00:07:42,337 --> 00:07:45,048 WE DON'T EVEN KNOW THAT JOE'S GONNA CALL. 189 00:07:45,048 --> 00:07:47,801 HE'LL CALL. 190 00:07:47,801 --> 00:07:51,388 I'M MORE CONCERNED WE HAVE THE PROPER RESPONSE WHEN HE DOES. 191 00:07:54,141 --> 00:07:55,474 YOU SHOULDN'T HAVE KILLED CARLOS. 192 00:07:55,474 --> 00:07:57,185 YEAH. IT'S ALL MY FAULT. 193 00:07:57,185 --> 00:08:01,273 WE NEED TO PROVIDE JOE WITH A SENSE OF SECURITY, OK? 194 00:08:03,733 --> 00:08:05,444 CAN EMMA HILL BE TRUSTED? 195 00:08:05,444 --> 00:08:07,654 TALK TO MARK. HE'S CONVINCED 196 00:08:07,654 --> 00:08:10,324 WE TRADED A PAWN FOR A QUEEN. 197 00:08:10,324 --> 00:08:11,741 Mark: MOM! 198 00:08:11,741 --> 00:08:14,119 OH, SWEETIE! OH! 199 00:08:14,119 --> 00:08:15,578 YOU OK? 200 00:08:15,578 --> 00:08:16,955 CAREFUL. MY ARM. 201 00:08:16,955 --> 00:08:18,039 OH, SORRY. 202 00:08:18,039 --> 00:08:21,460 OH, BABY. I MISSED YOU SO MUCH. 203 00:08:24,045 --> 00:08:26,173 WHERE'S GISELLE? I THOUGHT SHE WAS COMING WITH YOU. 204 00:08:26,173 --> 00:08:28,300 OH, NO. SHE'S BACK IN TOWN TAKING CARE OF DAVID 205 00:08:28,300 --> 00:08:30,177 SINCE LUKE FAILED TO DO SO AT THE MUSEUM. 206 00:08:30,177 --> 00:08:32,095 ACTUALLY, MARK FAILED TO DO SO, MOTHER. 207 00:08:32,095 --> 00:08:34,473 REALLY? 208 00:08:34,473 --> 00:08:36,808 I SPECIFICALLY REMEMBER TASKING YOU WITH THAT. 209 00:08:36,808 --> 00:08:37,976 WHY'S DAVID SO IMPORTANT? 210 00:08:37,976 --> 00:08:39,353 HE DOESN'T KNOW ANYTHING. 211 00:08:39,353 --> 00:08:41,313 WELL, I'D RATHER THE FBI NOT QUESTION HIM, 212 00:08:41,313 --> 00:08:43,190 BUT LET'S LEAVE GISELLE TO THAT, HMM? YEAH? 213 00:08:43,190 --> 00:08:45,525 -YEAH. -GOOD! 214 00:08:45,525 --> 00:08:46,651 Lily: WE'RE HERE! 215 00:08:46,651 --> 00:08:48,069 YEAH. FINALLY! 216 00:08:52,157 --> 00:08:54,909 SAMI, JAMEL... 217 00:09:03,043 --> 00:09:04,294 IT'S BEEN TOO LONG. 218 00:09:04,294 --> 00:09:07,922 OHH! HE SPEAKS ENGLISH! 219 00:09:10,467 --> 00:09:11,968 VERY GOOD. 220 00:09:11,968 --> 00:09:14,888 RADMILA... 221 00:09:23,855 --> 00:09:28,402 ME, TOO. SO ARE WE LIKING THE STATES? 222 00:09:28,402 --> 00:09:30,362 YEAH? IS IT EVERYTHING I PROMISED IT WOULD BE? 223 00:09:30,362 --> 00:09:31,905 OUI, OUI. 224 00:09:31,905 --> 00:09:32,989 YOU KIDS! 225 00:09:32,989 --> 00:09:35,116 YOU BRING ME SO MUCH JOY. 226 00:09:38,495 --> 00:09:40,663 EMMA. 227 00:09:40,663 --> 00:09:43,833 HI. 228 00:09:43,833 --> 00:09:45,419 WHY ARE YOU HIDING BACK HERE? 229 00:09:45,419 --> 00:09:49,714 COME! WE ARE SO PRIVILEGED TO HAVE YOU WITH US. 230 00:09:52,259 --> 00:09:54,135 I'M SURE YOU'RE A LITTLE OVERWHELMED, 231 00:09:54,135 --> 00:09:57,013 BUT THIS IS MY FAMILY, 232 00:09:57,013 --> 00:10:01,268 AND YOU'RE SO WELCOME. 233 00:10:01,268 --> 00:10:03,061 YOU'RE SO WELCOME HERE. 234 00:10:10,193 --> 00:10:12,028 YOU'RE PRETTY. 235 00:10:12,028 --> 00:10:13,488 OH. 236 00:10:13,488 --> 00:10:15,407 YOUR HOUSE IS PRETTY. 237 00:10:17,658 --> 00:10:19,786 IT'S SO BIG. 238 00:10:22,038 --> 00:10:23,206 WHAT DO YOU WANT TO PLAY NOW? 239 00:10:23,206 --> 00:10:24,874 LET'S PLAY WEDDING. 240 00:10:24,874 --> 00:10:27,127 UM, OK. 241 00:10:27,127 --> 00:10:30,255 MANDY'S A SWEET GIRL. 242 00:10:30,255 --> 00:10:31,756 HER SKIRT'S TOO SHORT. 243 00:10:31,756 --> 00:10:33,383 IT'S NOT PROPER AT ALL. 244 00:10:33,383 --> 00:10:35,385 WELL, SHE COMES FROM A HOME OF FEW RESOURCES 245 00:10:35,385 --> 00:10:38,972 AND EVEN FEWER PROPER ROLE MODELS. 246 00:10:38,972 --> 00:10:40,181 HER MOM? 247 00:10:40,181 --> 00:10:42,476 SADLY NO LONGER WITH US. 248 00:10:45,145 --> 00:10:47,730 JOE, I WAS HERE, I WAITED, 249 00:10:47,730 --> 00:10:49,899 AND YOU NEVER SHOWED. 250 00:10:49,899 --> 00:10:51,485 I TOOK A DETOUR. 251 00:10:51,485 --> 00:10:52,986 A DETOUR? RODERICK SAID THAT YOU WERE GONNA COME TO ME. 252 00:10:52,986 --> 00:10:54,195 I HAD IT ALL SET UP. 253 00:10:54,195 --> 00:10:55,863 WHAT HAPPENED? 254 00:10:55,863 --> 00:10:59,576 LOOK. IT'S--IT'S A VERY LONG STORY, JANA, 255 00:10:59,576 --> 00:11:04,247 AND I ASSUME WE'RE ON LIMITED TIME. YES? 256 00:11:08,335 --> 00:11:10,128 I KNOW WHAT YOU CAME FOR. 257 00:11:45,455 --> 00:11:46,789 Woman on TV: WHO IS LILY GRAY? 258 00:11:46,789 --> 00:11:48,542 THAT IS THE QUESTION AUTHORITIES ARE ASKING 259 00:11:48,542 --> 00:11:51,085 THIS MORNING AS SHE REMAINS AT LARGE. 260 00:11:51,085 --> 00:11:52,711 CONSIDERED ARMED AND DANGEROUS, 261 00:11:52,711 --> 00:11:54,964 MISS GRAY KILLED TWO FEDERAL AGENTS 262 00:11:54,964 --> 00:11:56,424 AND ELUDED AUTHORITIES 263 00:11:56,424 --> 00:11:59,010 AT HER SoHo GALLERY YESTERDAY. 264 00:11:59,010 --> 00:12:01,429 FROM WELL-RESPECTED ART DEALER TO MURDER SUSPECT, 265 00:12:01,429 --> 00:12:04,057 MISS GRAY IS NOW BELIEVED TO BE INVOLVED 266 00:12:04,057 --> 00:12:05,933 IN THE RECENT CARROLL CULT MURDER SPREE. 267 00:12:05,933 --> 00:12:09,604 HOWEVER, OUR SOURCES TELL US THAT THE FBI IS STILL STRUGGLING 268 00:12:09,604 --> 00:12:11,898 TO FIND MISS GRAY'S CONNECTION TO CARROLL 269 00:12:11,898 --> 00:12:14,234 AND HIS FORMER CULT MEMBERS, 270 00:12:14,234 --> 00:12:19,155 BUT WE DO KNOW IS THAT DEATH TOLL CONTINUES TO RISE IN NEW YORK CITY, 271 00:12:19,155 --> 00:12:21,449 AND MISS GRAY IS A WANTED FUGITIVE. 272 00:12:21,449 --> 00:12:24,661 ANYONE WITH ANY INFORAMATION REGARDING MISS GRAY 273 00:12:24,661 --> 00:12:26,871 SHOULD CONTACT-- 274 00:12:26,871 --> 00:12:28,582 SOMEONE OUT THERE? 275 00:12:35,088 --> 00:12:37,215 AUTHORITIES ALSO CONTINUE TO SEARCH 276 00:12:37,215 --> 00:12:39,676 FOR THE STILL UNNAMED TWIN BROTHERS, 277 00:12:39,676 --> 00:12:44,097 WHO ARE BELIEVED TO BE RESPONSIBLE FOR SEVERAL OF THE RECENT MUDRERS. 278 00:12:44,097 --> 00:12:47,517 WHILE JOE CARROLL HAS BEEN DEAD FOR OVER A YEAR NOW, 279 00:12:47,517 --> 00:12:49,269 IT HAS BECOME PAINFULLY APPARENT 280 00:12:49,269 --> 00:12:54,357 TO THE PEOPLE OF NEW YORK CITY THAT HIS LEGACY LIVES ON. 281 00:12:54,357 --> 00:12:56,901 WE WILL CONTINUE TO UNRAVEL MORE OF THE MYSTERY 282 00:12:56,901 --> 00:12:58,695 THAT IS LILY GRAY 283 00:12:58,695 --> 00:13:03,157 AND WILL BRING YOU THE LATEST ON THIS BREAKING STORY. 284 00:13:03,157 --> 00:13:05,285 Woman: IF YOU WANT DAVID'S COOPERATION, SHOW ME YOUR WARRANT 285 00:13:05,285 --> 00:13:06,911 OR GRANT HIM FULL IMMUNITY. 286 00:13:06,911 --> 00:13:08,162 AND IF A KILLER GETS AWAY IN THE MEANTIME, 287 00:13:08,162 --> 00:13:09,914 THAT'S OK WITH YOU? 288 00:13:09,914 --> 00:13:11,790 HAVE WHOEVER'S BRING THE WARRANT TAKE 8th. 289 00:13:11,790 --> 00:13:13,876 LESS TRAFFIC THIS TIME OF THE MORNING. 290 00:13:25,846 --> 00:13:26,889 RYAN. 291 00:13:26,889 --> 00:13:28,057 I'M AT DAVID ROLAND'S PLACE. 292 00:13:28,057 --> 00:13:30,017 FBI KNOW YOU'RE THERE. 293 00:13:30,017 --> 00:13:32,729 WELL, THEY'RE TAILING ME, SO, YEAH, 294 00:13:32,729 --> 00:13:34,773 BUT THEY DIDN'T INVITE ME HERE. 295 00:13:34,773 --> 00:13:37,400 I'M WATCHING ROLAND'S LAWYER STONEWALL MENDEZ. 296 00:13:37,400 --> 00:13:38,652 YEAH? SO? 297 00:13:38,652 --> 00:13:40,320 I DON'T THINK HE'S INSIDE. 298 00:13:40,320 --> 00:13:41,362 CAN YOU DO ME A FAVOR? 299 00:13:41,362 --> 00:13:42,614 ALREADY ON IT. 300 00:13:47,494 --> 00:13:49,912 OK. DAVID ROLAND HAS A HOUSE IN SAG HARBOR. 301 00:13:49,912 --> 00:13:51,748 NYPD AND FBI ARE EN ROUTE. 302 00:13:51,748 --> 00:13:53,374 NO. TOO EASY. 303 00:13:53,374 --> 00:13:55,752 CHECK HIS ATTORNEY LISA WITHERS' CREDIT CARD. 304 00:13:55,752 --> 00:13:58,045 SEE IF SHE RENTED A ROOM ANYPLACE. 305 00:13:58,045 --> 00:13:59,255 ALL RIGHT. THAT WILL TAKE A MINUTE. I'LL CALL YOU BACK. 306 00:13:59,255 --> 00:14:00,548 OK. 307 00:14:04,843 --> 00:14:07,347 HEY. HOW'S IT GOING, FELLAS? 308 00:14:07,347 --> 00:14:09,683 SNEAKERS TODAY. COOL! 309 00:14:13,269 --> 00:14:15,104 Woman on TV: LILY GRAY IS THE PRIMARY SUSPECT 310 00:14:15,104 --> 00:14:17,732 IN THE MURDER OF TWO FEDERAL AGENTS 311 00:14:17,732 --> 00:14:19,900 AT THIS SoHo GALLERY. 312 00:14:45,426 --> 00:14:46,803 WHAT ARE YOU DOING HERE, GISELLE? 313 00:14:46,803 --> 00:14:48,555 LILY SENT ME. 314 00:14:48,555 --> 00:14:50,890 AH. WHERE IS SHE? IS SHE OK? 315 00:14:50,890 --> 00:14:52,891 THEY'RE SAYING SOME HORRIBLE THINGS ABOUT HER. 316 00:14:52,891 --> 00:14:54,018 THEY'RE CALLING HER A KILLER. 317 00:14:54,018 --> 00:14:55,895 I KNOW. 318 00:14:55,895 --> 00:14:58,064 WELL, I'D LIKE TO SPEAK WITH HER. 319 00:14:58,064 --> 00:15:00,859 SHE NEEDS A LAWYER TO HELP CLEAN UP THIS MESS. 320 00:15:00,859 --> 00:15:03,194 SHE SHOULD SUE THEM FOR WHAT THEY'RE SAYING ABOUT HER. 321 00:15:06,906 --> 00:15:09,409 SHE APPRECIATES YOUR CONCERN. 322 00:15:09,409 --> 00:15:10,827 WHAT ARE YOU DOING? WHAT IS THAT? 323 00:15:13,872 --> 00:15:15,248 SIT. 324 00:15:15,248 --> 00:15:16,833 YOU'RE HURT. 325 00:15:16,833 --> 00:15:18,585 NO. WHY ARE YOU HERE? 326 00:15:18,585 --> 00:15:20,002 LILY DOES NOT WISH YOU TO SUFFER. 327 00:15:20,002 --> 00:15:22,714 PLEASE TAKE THIS. YOU'LL SLEEP. 328 00:15:22,714 --> 00:15:23,798 I DON'T KNOW WHAT YOU'RE TALKING ABOUT, 329 00:15:23,798 --> 00:15:26,217 BUT I AM NOT TAKING THOSE. 330 00:15:34,475 --> 00:15:35,643 WHAT THE HELL IS THAT? 331 00:15:39,188 --> 00:15:40,939 NO, NO, NO, NO. 332 00:15:40,939 --> 00:15:45,111 OHH! AAH! OHH! 333 00:15:45,111 --> 00:15:49,073 AAH! AAH! 334 00:15:49,073 --> 00:15:50,784 AAH! 335 00:16:26,820 --> 00:16:29,489 HEY. LOST MY TAIL. YOU FIND ANYTHING? 336 00:16:29,489 --> 00:16:30,698 NO. NO CREDIT CARD ACTIVITY 337 00:16:30,698 --> 00:16:31,866 FOR HIS ATTORNEY LISA WITHERS. 338 00:16:31,866 --> 00:16:33,075 CHECK HER PROPERTY RECORDS. 339 00:16:33,075 --> 00:16:34,702 YEAH, I DID. SHE HAS A SECOND PROPERTY 340 00:16:34,702 --> 00:16:36,537 AT 92nd AND YORK. 341 00:16:36,537 --> 00:16:37,538 SHE RENTS IT OUT. 342 00:16:37,538 --> 00:16:38,748 IT'S CURRENTLY VACANT. 343 00:16:38,748 --> 00:16:39,791 GET ME AN ADDRESS. 344 00:16:39,791 --> 00:16:41,250 WILL DO. HEY. BE CAREFUL. 345 00:16:48,842 --> 00:16:50,259 MIKE WESTON, FBI. 346 00:16:50,259 --> 00:16:51,594 YEAH. I KNOW WHO YOU ARE. 347 00:16:51,594 --> 00:16:52,846 CAN WE TALK? 348 00:16:52,846 --> 00:16:53,888 I'M A LITTLE BUSY. 349 00:16:53,888 --> 00:16:55,139 IT'LL JUST TAKE A MINUTE. 350 00:16:59,352 --> 00:17:00,436 I'LL TAKE THAT. 351 00:17:00,436 --> 00:17:01,437 THANKS. 352 00:17:01,437 --> 00:17:03,147 MM-HMM. YEAH. 353 00:17:08,945 --> 00:17:11,781 MAKE IT FAST, AGENT. 354 00:17:11,781 --> 00:17:14,116 I KNOW WHAT YOU'RE DOING. 355 00:17:14,116 --> 00:17:15,493 YOU HAVE TO STOP. 356 00:17:15,493 --> 00:17:17,411 I GUESS WE'RE DONE WITH THE SMALL TALK. 357 00:17:17,411 --> 00:17:19,079 YOU THINK YOU'RE HELPING YOUR UNCLE, BUT YOU'RE HURTING HIM, 358 00:17:19,079 --> 00:17:20,832 AND YOU'RE INTERFERING WITH A FEDERAL INVESTIGATION. 359 00:17:20,832 --> 00:17:22,082 DO YOU HAVE ANY EVIDENCE? 360 00:17:22,082 --> 00:17:23,376 WE BOTH KNOW YOU'RE SMARTER THAN THAT. 361 00:17:23,376 --> 00:17:25,503 IN OTHER WORDS, YOU CAN'T PROVE IT. 362 00:17:25,503 --> 00:17:28,255 I'VE SEEN RYAN'S SHRINE TO ALL THINGS JOE CARROLL. 363 00:17:28,255 --> 00:17:30,174 ARE YOU OF THE OPINION THAT CARROLL'S ALIVE, AS WELL? 364 00:17:30,174 --> 00:17:31,759 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 365 00:17:31,759 --> 00:17:33,678 YEAH, YOU DO. 366 00:17:33,678 --> 00:17:35,847 NOW I HAVE TRIED, BUT I CAN'T SEEM TO GET THROUGH TO HIM. 367 00:17:35,847 --> 00:17:37,807 IF YOU CARE ABOUT HIM, IF YOU CARE ABOUT YOUR CAREER, 368 00:17:37,807 --> 00:17:38,933 YOU'LL STOP. 369 00:17:38,933 --> 00:17:40,434 ARE YOU THREATENING ME? 370 00:17:40,434 --> 00:17:41,895 LOOK. I'M RYAN'S FRIEND. IF I WASN'T, 371 00:17:41,895 --> 00:17:43,145 I'D BE TALKING TO YOUR CAPTAIN RIGHT NOW. 372 00:17:43,145 --> 00:17:44,939 WANT TO TALK TO HIM? HE LOVES THE FBI. 373 00:17:44,939 --> 00:17:47,483 LOOK. THIS IS ABOUT REVENGE FOR RYAN. 374 00:17:47,483 --> 00:17:49,360 NOW HE'S HURT AND TRAUMATIZED, 375 00:17:49,360 --> 00:17:50,945 AND HE IS GRIEVING OVER CLAIRE, 376 00:17:50,945 --> 00:17:53,364 BUT YOU AND I BOTH KNOW JOE CARROLL IS DEAD. 377 00:17:57,076 --> 00:17:58,786 ARE YOU GONNA BE OK WHEN RYAN GETS HIMSELF KILLED? 378 00:17:58,786 --> 00:18:00,246 I KNOW DEATH RUNS IN THE HARDY FAMILY-- 379 00:18:00,246 --> 00:18:02,623 OK. WE'RE DONE. 380 00:18:09,964 --> 00:18:11,674 I'M TRYING TO HELP. 381 00:18:22,810 --> 00:18:24,520 IT WAS GOOD TO MEET YOU, MAX. 382 00:18:38,117 --> 00:18:40,453 EMMA. 383 00:18:40,453 --> 00:18:42,747 EMMA, I WANT YOU TO KNOW YOU'RE SAFE HERE. 384 00:18:52,715 --> 00:18:55,426 IT'S BEAUTIFUL, ISN'T IT, 385 00:18:55,426 --> 00:18:59,513 PEACEFUL, SCENIC? 386 00:18:59,513 --> 00:19:04,477 SEE THAT DRAMATIC CONTRAST BETWEEN SHADOW AND LIGHT? 387 00:19:04,477 --> 00:19:09,565 IT'S A WONDERFUL PLACE TO PAINT. IT REALLY IS. 388 00:19:09,565 --> 00:19:11,985 I UNDERSTAND YOU'RE AN ARTIST. 389 00:19:11,985 --> 00:19:14,862 NOT REALLY. 390 00:19:14,862 --> 00:19:17,991 MAYBE WE CAN CHANGE THAT. 391 00:19:17,991 --> 00:19:19,951 I WANT US TO BE FRIENDS. 392 00:19:19,951 --> 00:19:22,036 BECAUSE WHEN JOE CALLS, YOU WANT ME TO TELL HIM THAT IT'S SAFE HERE. 393 00:19:22,036 --> 00:19:24,998 I WANT YOU TO TELL HIM THE TRUTH. 394 00:19:24,998 --> 00:19:26,791 WHAT IS THE TRUTH EXACTLY? 395 00:19:26,791 --> 00:19:29,043 ASK ME ANYTHING YOU WANT. 396 00:19:40,138 --> 00:19:44,350 CAN YOU TELL ME ANYTHING ABOUT JOEY? 397 00:19:44,350 --> 00:19:46,894 YOUR SON IS DEEP IN WITNESS PROTECTION WITH HIS GRANDMOTHER. 398 00:19:46,894 --> 00:19:48,688 THERE'S NO WAY WE CAN FIND AN ADDRESS THEN? 399 00:19:48,688 --> 00:19:52,025 I'LL KEEP TRYING. I'LL GET SOMETHING. I ALWAYS DO. 400 00:20:04,453 --> 00:20:05,496 I HELD ONTO IT. 401 00:20:05,496 --> 00:20:07,456 MONEY, CREDIT CARD, I.D.s, 402 00:20:07,456 --> 00:20:09,917 EVERYTHING YOU NEEDED TO START YOUR NEW LIFE. 403 00:20:09,917 --> 00:20:11,836 I ASSUME YOU STILL HAVE ACCESS 404 00:20:11,836 --> 00:20:13,129 TO CERTAIN INFORMATION. 405 00:20:13,129 --> 00:20:14,463 OF COURSE. 406 00:20:14,463 --> 00:20:17,508 SOMEONE'S REACHED OUT TO ME. 407 00:20:17,508 --> 00:20:20,011 A FOLLOWER? 408 00:20:20,011 --> 00:20:21,971 THE MURDERS IN NEW YORK. 409 00:20:21,971 --> 00:20:27,226 ONLY A SLIGHT FEW KNOW HOW TO LEAVE A MESSAGE FOR ME. 410 00:20:27,226 --> 00:20:30,479 I NEED TO KNOW IF IT'S SAFE FOR ME TO ANSWER. 411 00:20:30,479 --> 00:20:33,607 Emma: YOU HAVE QUITE A DIVERSE FAMILY. 412 00:20:33,607 --> 00:20:36,110 DISCARDS FROM ACROSS THE GLOBE, 413 00:20:36,110 --> 00:20:38,821 KIDS WHOM NO ONE WANTED, 414 00:20:38,821 --> 00:20:42,116 DISPLACED BY VIOLENCE OR NEGLECT. 415 00:20:42,116 --> 00:20:44,911 I USED TO BE ONE OF THEM. 416 00:20:44,911 --> 00:20:47,538 YOU? 417 00:20:47,538 --> 00:20:49,082 MY FATHER KILLED MY MOTHER, 418 00:20:49,082 --> 00:20:51,084 AND THEN HE TOOK HIS OWN LIFE WHEN I WAS A CHILD. 419 00:20:51,084 --> 00:20:52,960 MY MOTHER WAS A MAID, 420 00:20:52,960 --> 00:20:54,420 AND HE WAS CONVINCED I WAS THE PROGENY 421 00:20:54,420 --> 00:20:56,881 OF HER WEALTHY EMPLOYER MARTIN JANSEN. 422 00:20:56,881 --> 00:20:58,925 HE THOUGHT THEY HAD AN AFFAIR. 423 00:20:58,925 --> 00:21:00,593 WAS IT TRUE? 424 00:21:00,593 --> 00:21:02,344 MAYBE. 425 00:21:02,344 --> 00:21:04,013 AFTER THEY DIED, MARTIN TOOK CARE OF ME, 426 00:21:04,013 --> 00:21:05,223 SENT ME TO THE BEST SCHOOLS, 427 00:21:05,223 --> 00:21:06,724 BOUGHT ME ANYTHING I DESIRED, 428 00:21:06,724 --> 00:21:09,227 BUT HE WAS-- HE WAS NEVER A PARENT. 429 00:21:14,232 --> 00:21:16,025 I THINK YOU KNOW WHAT THAT'S LIKE, 430 00:21:16,025 --> 00:21:19,779 TO GROW BEREFT OF A PARENT'S LOVE. 431 00:21:19,779 --> 00:21:21,781 YOU'VE DONE YOUR RESEARCH? 432 00:21:25,283 --> 00:21:26,660 I KNOW YOUR MOTHER DIDN'T LOVE YOU 433 00:21:26,660 --> 00:21:28,579 THE WAY YOU NEEDED HER TO. 434 00:21:38,798 --> 00:21:40,507 THAT'S BEHIND ME. 435 00:21:45,221 --> 00:21:49,308 I THINK SHE DIDN'T SEE YOUR STRENGTH, 436 00:21:49,308 --> 00:21:52,394 YOUR INTELLIGENCE, YOUR BEAUTY. 437 00:21:52,394 --> 00:21:53,687 IF I HAD A DAUGHTER LIKE YOU, 438 00:21:53,687 --> 00:21:56,440 I'D...I'D HONOR HER. 439 00:21:56,440 --> 00:21:58,609 WHY HAVE YOU BEEN LOOKING FOR JOE? 440 00:21:58,609 --> 00:21:59,652 DO YOU KNOW HIM? 441 00:21:59,652 --> 00:22:01,654 I FEEL LIKE I DO. 442 00:22:01,654 --> 00:22:05,199 EARLY ON, I COULD SEE THAT LUKE AND MARK WERE DIFFERENT, 443 00:22:05,199 --> 00:22:08,244 AND OTHER MOTHERS MIGHT HAVE TRIED TO CHANGE THAT, 444 00:22:08,244 --> 00:22:11,831 BUT I CHOSE TO LOVE THEM FOR EXACTLY WHO THEY ARE, 445 00:22:11,831 --> 00:22:13,540 AND I SURROUNDED THEM WITH A FAMILY 446 00:22:13,540 --> 00:22:17,128 OF LIKE-MINDED SOULS. 447 00:22:17,128 --> 00:22:19,338 THAT'S WHAT JOE DID FOR US. 448 00:22:19,338 --> 00:22:25,427 THAT'S WHY I FEEL SO CONNECTED TO HIM, TO YOU. 449 00:22:25,427 --> 00:22:27,805 ISN'T THAT REALLY ALL YOU NEED TO KNOW? 450 00:24:24,880 --> 00:24:26,548 HELLO? 451 00:24:30,428 --> 00:24:31,929 EMMA? 452 00:24:38,436 --> 00:24:39,770 YES. 453 00:24:41,563 --> 00:24:43,816 IT'S--IT'S EMMA. 454 00:24:46,902 --> 00:24:48,695 JOE, IT... 455 00:24:48,695 --> 00:24:51,657 IT'S TRUE. IT'S YOU. 456 00:24:51,657 --> 00:24:53,284 IT'S TRUE. 457 00:24:59,832 --> 00:25:03,169 I'VE MISSED YOU, EMMA. 458 00:25:03,169 --> 00:25:04,753 YOU SHOULDN'T STAY ON TOO LONG. 459 00:25:04,753 --> 00:25:06,255 TELL HIM THE MEETING PLACE. 460 00:25:06,255 --> 00:25:09,300 EMMA, WHO IS THAT? IS IT SAFE? 461 00:25:09,300 --> 00:25:11,135 THESE PEOPLE ON THE NEWS, 462 00:25:11,135 --> 00:25:12,928 THESE--THESE TWINS, 463 00:25:12,928 --> 00:25:17,850 THIS LILY GRAY, ARE THEY FRIENDS, EMMA? 464 00:25:30,863 --> 00:25:32,990 IT'S SAFE. 465 00:25:39,413 --> 00:25:41,748 COME BACK TO ME, JOE. 466 00:25:54,928 --> 00:25:56,805 GET HOPKINS ON THIS LAPTOP. 467 00:25:56,805 --> 00:25:58,391 I WANT EVERYTHING ON IT. 468 00:25:58,391 --> 00:25:59,517 YES, MA'AM. 469 00:26:02,811 --> 00:26:04,146 LET ME KNOW IF YOU FIND IT. 470 00:26:04,146 --> 00:26:05,563 YEP. I'M GONNA TRACK TRAFFIC CAMS GOING 471 00:26:05,563 --> 00:26:07,358 SOUTH ON 2nd AVE. RUNNING PLATES NOW. 472 00:26:07,358 --> 00:26:08,775 I'LL CALL YOU. 473 00:26:08,775 --> 00:26:11,070 NEW PHONE? 474 00:26:11,070 --> 00:26:12,696 YEAH. I LOST MY OTHER ONE. 475 00:26:12,696 --> 00:26:14,031 HEY. MAYBE IT'S WITH THOSE TWO AGENTS 476 00:26:14,031 --> 00:26:15,324 I KEEP LOSING. 477 00:26:15,324 --> 00:26:18,411 RIGHT. SO THAT WAS LILY GRAY'S PEOPLE 478 00:26:18,411 --> 00:26:19,703 TYING UP LOOSE ENDS? 479 00:26:19,703 --> 00:26:20,787 YEP. 480 00:26:20,787 --> 00:26:22,373 AND DID YOU SEE ANYTHING? 481 00:26:22,373 --> 00:26:23,749 NOPE. 482 00:26:23,749 --> 00:26:25,583 WELL, PLEASE KNOW I'M SMILING ON THE INSIDE. 483 00:26:25,583 --> 00:26:27,336 WHY'S THAT? 484 00:26:27,336 --> 00:26:29,463 Man: RYAN HARDY, PLEASE PUT YOUR HANDS BEHIND YOUR BACK. 485 00:26:29,463 --> 00:26:30,964 YOU HAVE THE RIGHT TO REMAIN SILENT. 486 00:26:30,964 --> 00:26:32,508 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU. 487 00:26:32,508 --> 00:26:34,134 YOU HAVE THE RIGHT TO AN ATTORNEY. 488 00:26:34,134 --> 00:26:35,302 IF YOU CANNOT AFFORD AN ATTORNEY, 489 00:26:35,302 --> 00:26:36,387 ONE WILL BE APPOINTED FOR YOU. 490 00:26:36,387 --> 00:26:38,431 DO YOU UNDERSTAND THESE RIGHTS? 491 00:26:38,431 --> 00:26:41,517 LUKE, YOU'LL TAKE EMMA TO MEET JOE. 492 00:26:41,517 --> 00:26:43,227 I SHOULD GO. 493 00:26:43,227 --> 00:26:44,770 I'M BETTER WITH EMMA, 494 00:26:44,770 --> 00:26:46,355 AND BESIDES, WHO'S GONNA BE MORE WELCOMING TO JOE-- 495 00:26:46,355 --> 00:26:47,898 ME OR LUKE? 496 00:26:47,898 --> 00:26:50,443 HE'S MORE OF A PEOPLE PERSON. 497 00:26:50,443 --> 00:26:52,111 I CAN DO THIS. TRUST ME. 498 00:26:52,111 --> 00:26:53,737 I'LL MEET HIM, AND I'LL BRING HIM STRAIGHT HERE. 499 00:26:53,737 --> 00:26:55,739 IT'S NOT YOU, HONEY, THAT I DON'T TRUST. 500 00:26:55,739 --> 00:26:58,951 IT'S EMMA. SHE'S A DIFFICULT READ. 501 00:26:58,951 --> 00:27:00,327 SHE WON'T MESS THIS UP. SHE WANTS JOE 502 00:27:00,327 --> 00:27:01,619 JUST AS MUCH AS WE DO. 503 00:27:01,619 --> 00:27:04,081 DID YOU HEAR HER? "COME BACK TO ME, JOE"? 504 00:27:04,081 --> 00:27:05,499 SHE THINKS THIS IS ALL ABOUT HER. 505 00:27:05,499 --> 00:27:06,792 NO. SHE WAS EMOTIONAL. 506 00:27:06,792 --> 00:27:08,043 WE REVEAL OUR TRUE SELVES WHEN WE'RE 507 00:27:08,043 --> 00:27:09,753 IN THE THROES OF EMOTION, DEAR. 508 00:27:12,089 --> 00:27:13,673 CAN YOU HELP ME? 509 00:27:23,767 --> 00:27:26,479 I DIDN'T MEAN TO CUT YOU SO DEEPLY IN THE SUBWAY. 510 00:27:28,147 --> 00:27:30,316 SCARS MAKE US MORE INTERESTING. 511 00:27:32,151 --> 00:27:35,571 IT'S SEXY, NO? 512 00:27:35,571 --> 00:27:36,738 I DON'T LIKE THIS. 513 00:27:36,738 --> 00:27:38,407 OK. ALL RIGHT. 514 00:27:38,407 --> 00:27:40,742 Carroll: YOU DON'T HAVE TO DO THIS FOR US, JANA. 515 00:27:40,742 --> 00:27:42,495 THIS WAY YOU WON'T HAVE TO STOP ALONG THE WAY. 516 00:27:42,495 --> 00:27:44,913 THEY HAVE SURVEILLANCE CAMERAS EVERYWHERE THESE DAYS. 517 00:27:44,913 --> 00:27:47,082 HEY, HON. YOU LIKE APPLES? 518 00:27:47,082 --> 00:27:49,251 THEY'RE OK. GOT ANY CANDY? 519 00:27:49,251 --> 00:27:51,253 THE APPLES WILL DO JUST FINE. 520 00:27:54,714 --> 00:27:57,259 JANA, TELL ME ABOUT CORBIN. 521 00:27:57,259 --> 00:27:58,427 CORBIN? 522 00:27:58,427 --> 00:28:00,095 YEAH, THE ORIGINAL PLAN BEFORE RODERICK 523 00:28:00,095 --> 00:28:01,597 FOUND HAVENPORT. 524 00:28:01,597 --> 00:28:03,599 WELL, IT'S STILL THERE AS FAR AS I KNOW. 525 00:28:03,599 --> 00:28:07,186 IT'S BEEN A WHILE. 526 00:28:07,186 --> 00:28:09,355 I HAVE RODERICK'S FILE. LET ME GET IT. 527 00:28:09,355 --> 00:28:10,897 OK. THANK YOU. 528 00:28:13,275 --> 00:28:16,403 YOU'RE VERY QUIET. 529 00:28:16,403 --> 00:28:18,489 YOU OK? 530 00:28:18,489 --> 00:28:20,491 MISS JANA HAS BEEN SO NICE. 531 00:28:20,491 --> 00:28:22,784 YEAH. 532 00:28:22,784 --> 00:28:25,412 I LIKE HER AND HER FAMILY. 533 00:28:25,412 --> 00:28:29,166 YEAH. 534 00:28:29,166 --> 00:28:32,794 HAVE YOU BEEN THINKING ABOUT YOUR MAMA, HMM? 535 00:28:32,794 --> 00:28:34,672 I'M OK. 536 00:28:34,672 --> 00:28:36,549 YEAH? 537 00:28:36,549 --> 00:28:40,135 YOU'RE MY FAMILY NOW. 538 00:28:40,135 --> 00:28:41,428 HEH. 539 00:28:44,640 --> 00:28:46,808 ARE YOU GONNA KILL MISS JANA? 540 00:28:46,808 --> 00:28:50,062 NO, NO. WHY WOULD YOU THINK THAT? 541 00:28:50,062 --> 00:28:52,231 YOU GOT WHAT YOU CAME FOR, RIGHT? 542 00:28:52,231 --> 00:28:53,982 NOBODY IS SUPPOSED TO KNOW YOU'RE ALIVE. 543 00:28:53,982 --> 00:28:56,151 YOU HAVE TO. 544 00:28:56,151 --> 00:28:59,405 MANDY... 545 00:28:59,405 --> 00:29:01,114 YOUR MAMA WAS A THREAT TO US, 546 00:29:01,114 --> 00:29:03,242 AND THAT IS WHY SHE HAD TO DIE. 547 00:29:03,242 --> 00:29:05,202 NOW MISS JANA WANTS TO HELP US. 548 00:29:05,202 --> 00:29:07,329 SHE'S OUR FRIEND. 549 00:29:07,329 --> 00:29:10,999 YOU DO SEE THE DIFFERENCE, DON'T YOU? 550 00:29:10,999 --> 00:29:14,211 I GUESS. 551 00:29:14,211 --> 00:29:18,716 YOU KNOW, MANDY, DEATH IS A... 552 00:29:18,716 --> 00:29:21,468 IT'S A PRECIOUS GIFT. 553 00:29:21,468 --> 00:29:23,220 IT CAN'T BE GIVEN INDISCRIMINATELY, 554 00:29:23,220 --> 00:29:24,722 OR IT LOSES ITS VALUE, 555 00:29:24,722 --> 00:29:28,975 AND WE LOSE THE GREAT PRIVILEGE OF OFFERING IT. 556 00:29:28,975 --> 00:29:33,855 YOUR MAMA, SHE GAVE US NO CHOICE. 557 00:29:33,855 --> 00:29:35,274 Jana: HERE'S WHAT I HAVE. 558 00:29:35,274 --> 00:29:38,902 UM...THERE ARE SEVERAL CONTACTS, 559 00:29:38,902 --> 00:29:43,699 BUT I HAVE NO IDEA IF THEY'RE STILL VALID. 560 00:29:43,699 --> 00:29:45,909 THIS WAS ALL RODERICK'S DOING. 561 00:29:45,909 --> 00:29:48,328 NO. OF COURSE. THANK YOU. 562 00:29:48,328 --> 00:29:51,290 Jana: OK. UM... 563 00:29:51,290 --> 00:29:53,833 THANK YOU FOR EVERYTHING, HMM? 564 00:29:53,833 --> 00:29:57,504 I'M HERE FOR YOU WHEN YOU NEED ANYTHING. 565 00:29:57,504 --> 00:30:01,925 OH. YOU'VE BEEN SO GOOD TO ME. THANK YOU. 566 00:30:05,345 --> 00:30:09,349 HEY. TAKE CARE OF THIS ONE. 567 00:30:09,349 --> 00:30:10,934 OK. 568 00:30:12,852 --> 00:30:15,564 HERE. HERE. 569 00:30:15,564 --> 00:30:19,401 OK. HERE. HEH. 570 00:30:39,004 --> 00:30:40,922 Ryan: LEAVE ME A MESSAGE, AND I'LL CALL YOU BACK. 571 00:30:40,922 --> 00:30:42,966 WHERE ARE YOU? I FOUND THE CAR. 572 00:30:42,966 --> 00:30:45,469 IT'S PARKED OUTSIDE GRAND CENTRAL STATION. 573 00:30:45,469 --> 00:30:47,513 I HAVE TRAFFIC CAM VIDEO OF A WOMAN LEAVING IT. 574 00:30:47,513 --> 00:30:50,432 5'5", WHITE, BROWN HAIR. 575 00:30:50,432 --> 00:30:51,725 IT LOOKS LIKE SHE'S GONE. 576 00:30:51,725 --> 00:30:52,976 CALL ME BACK. 577 00:31:13,789 --> 00:31:16,166 HI. CAN I HAVE A TABLE, THAT ONE OVER THERE? 578 00:31:16,166 --> 00:31:17,543 -SURE. -THANKS. 579 00:31:31,640 --> 00:31:33,016 Ryan: IT'S LIKE I TOLD YOU. 580 00:31:33,016 --> 00:31:34,184 I KNEW THE LAWYER WOULD BE STONEWALLING, 581 00:31:34,184 --> 00:31:35,644 SO I WENT FROM THERE. 582 00:31:35,644 --> 00:31:37,563 THE YORK AVENUE APARTMENT WAS EASY TO FIND. 583 00:31:37,563 --> 00:31:41,024 ARE WE KEEPING YOU? 584 00:31:41,024 --> 00:31:42,025 MR. HARDY-- 585 00:31:42,025 --> 00:31:43,943 YOU CAN CALL ME RYAN. 586 00:31:43,943 --> 00:31:46,780 MR. HARDY, WHAT WOULD YOU DO 587 00:31:46,780 --> 00:31:48,741 IF YOU WERE IN MY POSITION? 588 00:31:48,741 --> 00:31:49,949 DO I SLAP YOUR WRIST AGAIN, 589 00:31:49,949 --> 00:31:50,992 OR DO I BRING THE D.A. IN HERE 590 00:31:50,992 --> 00:31:52,244 AND OFFICIALLY BOOK YOU? 591 00:31:52,244 --> 00:31:53,953 UH...THE FIRST ONE. 592 00:31:53,953 --> 00:31:57,165 THIS NEW CULT, THIS FAN CLUB OF JOE CARROLL'S, 593 00:31:57,165 --> 00:32:00,252 SEEKS FAME IN THE WORST POSSIBLE WAY. 594 00:32:00,252 --> 00:32:02,045 THEY ARE NOT DONE WITH YOU. 595 00:32:02,045 --> 00:32:03,963 THEY WILL KILL YOU. 596 00:32:03,963 --> 00:32:05,674 PROBABLY. 597 00:32:12,389 --> 00:32:14,307 HAVE A NICE DAY. 598 00:32:21,231 --> 00:32:22,733 OH. WE WANTED TO HOLD YOU. 599 00:32:22,733 --> 00:32:24,192 DIRECTOR FRANKLIN THINKS YOU'RE MORE VALUABLE 600 00:32:24,192 --> 00:32:25,360 IF WE FOLLOW YOU. 601 00:32:25,360 --> 00:32:27,153 YEAH. 602 00:32:27,153 --> 00:32:28,154 GOOD LUCK WITH THAT. 603 00:32:28,154 --> 00:32:29,197 NEW PHONE. 604 00:32:29,197 --> 00:32:30,532 YEAH. I LOST MY OTHER ONE. 605 00:32:30,532 --> 00:32:33,034 REALLY? YOU MEAN, THIS ONE? 606 00:32:33,034 --> 00:32:34,494 WE FOUND IT IN A TAXI IF YOU WANT IT BACK. 607 00:32:34,494 --> 00:32:36,789 NO. I'M GOOD. 608 00:32:36,789 --> 00:32:37,997 HEY, RYAN. 609 00:32:41,042 --> 00:32:43,378 I'M WORRIED, MAN. 610 00:32:43,378 --> 00:32:47,466 MY LAST CHANCE. JUST LET ME HELP YOU. 611 00:32:47,466 --> 00:32:49,426 HAD A GOOD NIGHT, MIKE. 612 00:32:55,390 --> 00:32:56,934 HEY. WHAT'S UP? 613 00:32:56,934 --> 00:32:58,769 Max: WHERE. HAVE YOU BEEN? 614 00:32:58,769 --> 00:33:00,479 I TRACED THE LICENSE PLATE. IT WAS STOLEN. 615 00:33:00,479 --> 00:33:01,814 STREET COP FOUND IT ABANDONED NEAR 616 00:33:01,814 --> 00:33:04,274 THE LEXINGTON ENTRANCE OF GRAND CENTRAL. 617 00:33:04,274 --> 00:33:05,442 SHE'S LEAVING TOWN. 618 00:33:05,442 --> 00:33:06,777 NOT YET SHE'S NOT. 619 00:33:06,777 --> 00:33:08,320 WHAT DO YOU MEAN? WHERE ARE YOU? 620 00:33:08,320 --> 00:33:10,447 SIDEWALK CAFÉ AT 41st AND PERSHING. 621 00:33:10,447 --> 00:33:12,365 I'M STARING RIGHT AT HER. 622 00:33:22,960 --> 00:33:25,420 ARE YOU SURE HE'S COMING? 623 00:33:25,420 --> 00:33:29,716 PLEASE STOP ASKING ME THAT. 624 00:33:29,716 --> 00:33:31,301 WELL, HE'S LATE. 625 00:33:43,981 --> 00:33:45,190 IS THAT HIM? 626 00:33:50,570 --> 00:33:52,197 JOE. 627 00:33:56,368 --> 00:33:57,577 OH, THANK GOD. 628 00:33:57,577 --> 00:34:00,288 OH, JOE! JOE! 629 00:34:19,933 --> 00:34:24,563 WHY? WHY? WHY? WHY? 630 00:34:24,563 --> 00:34:27,774 WHY? HOW COULD YOU? HOW COULD YOU? 631 00:34:27,774 --> 00:34:31,069 HOW COULD YOU? 632 00:34:31,069 --> 00:34:32,362 OHH! 633 00:34:39,661 --> 00:34:44,332 I'M BACK, EMMA. 634 00:34:44,332 --> 00:34:45,417 I'M BACK. 635 00:34:47,711 --> 00:34:49,046 YOU SHOULDN'T BE THERE. 636 00:34:49,046 --> 00:34:50,087 YEAH, I KNOW. HOW FAR AWAY ARE YOU? 637 00:34:50,087 --> 00:34:51,757 A COUPLE OF BLOCKS. 638 00:34:51,757 --> 00:34:53,884 SHE'S SITTING AT A TABLE, SHE'S READING A MAGAZINE. 639 00:34:53,884 --> 00:34:55,010 SHE KEEPS CHECKING HER WATCH. 640 00:34:55,010 --> 00:34:56,845 SHE'S WAITING FOR A TRAIN, RYAN. 641 00:34:56,845 --> 00:34:58,263 LET ME ARREST HER. I WILL DETAIN HER UNTIL YOU GET HERE. 642 00:34:58,263 --> 00:34:59,514 LISTEN. I KNOW I HAVE NO RIGHT ASK YOU THIS, 643 00:34:59,514 --> 00:35:00,515 BUT PLEASE DON'T. 644 00:35:00,515 --> 00:35:03,727 I'M ALMOST THERE. 645 00:35:03,727 --> 00:35:05,478 THIS IS STUPID, RYAN. THIS IS DUMB! 646 00:35:05,478 --> 00:35:07,313 YEAH. IT IS. IT'S STUPID. 647 00:35:07,313 --> 00:35:09,482 I'M ALMOST THERE. 648 00:35:09,482 --> 00:35:10,525 SHE'S LEAVING. 649 00:35:10,525 --> 00:35:12,027 DO NOT FOLLOW HER! 650 00:35:12,027 --> 00:35:13,194 THEN HURRY. 651 00:35:55,821 --> 00:35:58,073 YOU'RE UNDER ARREST! STAY DOWN! 652 00:35:58,073 --> 00:36:01,409 BACK UP! NYPD! IT'S OK! 653 00:36:01,409 --> 00:36:04,037 UNH! 654 00:36:12,963 --> 00:36:15,715 MOVE, MOVE! 655 00:36:15,715 --> 00:36:16,967 YOU OK? 656 00:36:16,967 --> 00:36:18,384 YEAH, YEAH, YEAH. SHE WENT IN THE STATION. 657 00:36:18,384 --> 00:36:19,803 GO! GO! 658 00:36:40,824 --> 00:36:41,825 YOU SEE HER? 659 00:36:41,825 --> 00:36:43,201 NO. 660 00:36:49,582 --> 00:36:50,792 I SEE HER! 661 00:37:07,142 --> 00:37:08,685 SHE'S GOT TO BE LEAVING THE CITY. 662 00:37:08,685 --> 00:37:11,563 THAT WOULD PUT HER ON 109-113. WHICH ONE? 663 00:37:11,563 --> 00:37:13,148 YOU GO LEFT, I'LL GO RIGHT. 664 00:38:44,322 --> 00:38:46,074 AAH! UNH! 665 00:38:55,333 --> 00:38:56,793 WHOA! WHOA! 666 00:38:56,793 --> 00:39:00,046 HELP ME! HE'S GOT A GUN! HE'S GOT A GUN! 667 00:39:00,046 --> 00:39:02,548 HEY! GET OFF OF ME! 668 00:39:02,548 --> 00:39:05,426 NO, NO! NO, NO. DON'T LET HER GET AWAY! 669 00:39:05,426 --> 00:39:06,970 I'M A FEDERAL AGENT! 670 00:39:18,231 --> 00:39:19,983 ROADBLOCKS, AERIAL SEARCH 671 00:39:19,983 --> 00:39:22,277 SPANNING THE TRISTATE AREA. 672 00:39:22,277 --> 00:39:23,778 HAVE WE HEARD BACK FROM LILY GRAY'S ATTORNEYS? 673 00:39:23,778 --> 00:39:24,904 NOT YET. 674 00:39:24,904 --> 00:39:26,405 CALL THEM AGAIN. 675 00:39:29,784 --> 00:39:31,953 HEY. UH, IT'S ME. 676 00:39:31,953 --> 00:39:33,872 LISTEN. I KNOW IT'S MY WEEKEND, 677 00:39:33,872 --> 00:39:36,041 BUT I JUST--I CAN'T PICK UP THE KIDS. 678 00:39:36,041 --> 00:39:37,292 CAN YOU HELP ME OUT? 679 00:39:37,292 --> 00:39:38,501 YOU FOUGHT FOR JOINT CUSTODY. 680 00:39:38,501 --> 00:39:39,878 YOU SAID YOU WANTED TO BE A PARENT, 681 00:39:39,878 --> 00:39:41,462 SO BE A PARENT. 682 00:39:41,462 --> 00:39:44,299 YOU KNOW THE CASE I'M WORKING ON. 683 00:39:44,299 --> 00:39:46,718 JUST TELL ME YOU CAN PICK UP THE KIDS. 684 00:39:46,718 --> 00:39:49,346 SURE. I CAN DO IT. I'M NOT ON A CASE 685 00:39:49,346 --> 00:39:51,806 BECAUSE YOU MADE ME GIVE UP THE FBI. 686 00:39:51,806 --> 00:39:53,725 IT'S CONVENIENT FOR YOU, ISN'T IT? 687 00:39:53,725 --> 00:39:57,979 PLEASE, JANA. NOT NOW. 688 00:39:57,979 --> 00:39:59,939 WORK WITH ME. 689 00:39:59,939 --> 00:40:01,274 FINE. 690 00:40:41,022 --> 00:40:43,400 OH, MY. 691 00:40:43,400 --> 00:40:45,568 HELLO, JOE. 692 00:40:49,030 --> 00:40:51,241 MAX, WHERE ARE YOU? I'VE BEEN LOOKING ALL OVER FOR FOR YOU. 693 00:40:51,241 --> 00:40:52,242 I'M ON THE TRAIN. 694 00:40:52,242 --> 00:40:53,243 YOU'RE WHAT?! 695 00:40:53,243 --> 00:40:54,869 I'M ON THE TRAIN. 696 00:40:54,869 --> 00:40:57,747 I HAVE HER IN SIGHT.